Steel Magnolias at Theatre Royal Sydney - Review
A stellar ensemble cast brings warmth and heart to this stage revival of the beloved 1989 film Steel Magnolias.
For many, Steel Magnolias is best remembered as the beloved 1989 film starring Julia Roberts, Sally Field, Dolly Parton and the legendary Shirley MacLaine—a cultural touchstone that has endured for decades. What’s less widely recognised is that the film was adapted from the 1987 stage play. Now playing at Theatre Royal Sydney, this latest production returns the story to its theatrical roots, leaning into the legacy of its iconic screen counterpart while delivering a heartfelt, performance-driven experience.
At the centre of the production is a formidable ensemble cast: Lisa McCune, Belinda Giblin, Debra Lawrance, Mandy Bishop, Jessica Redmayne and Lotte Beckett. Each brings a clear understanding of her character, with performances that echo the spirit—and at times the rhythms—of the 1989 film.
The undeniable standout is Jessica Redmayne as Shelby, a role immortalised by Julia Roberts. Redmayne is utterly captivating, infusing Shelby with radiant optimism and warmth that makes her instantly likeable. She has a natural glow on stage, commanding attention even alongside such an accomplished cast. It’s a breakout performance that anchors the emotional core of the production.
Belinda Giblin also leaves a strong impression as the sharp-tongued Ouiser, delivering perfectly timed entrances and a deliciously grumpy wit reminiscent of Shirley MacLaine’s portrayal. Meanwhile, Mandy Bishop channels effortless Southern charm in a performance that feels lovingly inspired by Dolly Parton. Lotte Beckett’s dry, understated humour as Annelle also translates well to the stage, providing some of the production’s quieter comedic beats.
Lisa McCune, while more restrained in the earlier acts, truly shines in the final stretch as the story reaches its emotional crescendo. Her performance in these closing moments delivers the poignancy the play is known for, leaving a lasting impact.
Staging-wise, the production is minimal yet effective, with the action largely confined to Truvy’s beauty salon. While this creates an intimate, character-focused setting, the lack of scene transitions can make the pacing feel static at times. The result is a show that occasionally plays more like a sitcom, relying heavily on lengthy dialogue and performance to maintain engagement.
Structurally divided into four acts, the play takes some time to find its rhythm. The opening act feels slow as characters are gradually introduced, and the narrative lacks a strong forward drive. However, the middle acts gain momentum, and the final act delivers the emotional payoff audiences expect—tugging firmly at the heartstrings.
Ultimately, the strength of Steel Magnolias lies in its depiction of friendship, resilience, and female camaraderie. Despite some pacing issues, the Australian production succeeds where it matters most: in its wonderful performances and its heartfelt portrayal of connection.
The new production of Steel Magnolias is a warm, performance-led revival that thrives on the chemistry of its cast. Imperfect in structure and occasionally lacking in creative staging, it is nonetheless moving, humorous, and anchored by a series of wonderful performances. It’s well worth a watch.
Steel Magnolias is now playing for a limited time at the Theatre Royal Sydney before touring nationally, beginning in Wollongong and continuing through Canberra, Perth and Melbourne. Get your tickets now!
